Well, then. A book nearly everyone
knows about since its movie release in March this year. That’s right, folks.
You guessed it. (Or maybe you didn’t, I don’t know.)
The
Hunger Games.
For a while there I was really
hesitant to read it, due to the fact that kids are killing kids. Which, in no
way, is excused by Suzanne Collins’ setting and Capitol crap. But I held my
head high and read it to get the stupid thing out of my face. I wanted to see
what everyone was so crazy about, so desperate to have everyone else read, so .
. . glad with. Well, I read it.
And I don’t see what the hubbub was
so big for. (Mine and my mother’s theory is that it’s because there are no more
Harry Potter books or movies.)
But anyway.
You know, usually I try to make my
reviews concise and short, but I’m putting everything
I felt into this one.
The book started off with Katniss
Everdeen being a pretty strong female character. She was stoic and didn’t like to
show emotion so no one would take advantage of her and her family. That quickly
changed, for no apparent reason. One moment she wants to be stoic and strong to
intimidate other tributes from the rest of the Districts, then the next she’s
all happy and jolly, or really moody and PMS-style angry, without cause for
either. Oh, and the fact that she feels she doesn’t have any friends, yet acts
like a complete dolt in the interview with Caesar? That really didn’t make any
sense at all. Then, in the arena, her narrative and thoughts are so scattered
at points it’s hard to follow what she’s thinking at all. At the end, she’s
finally back to her somewhat strong self, but not really. She changed, but for
the worst.
And Peeta? Don’t even get me
started. His “humble” act was aggravating when his kindness spilled over into
sappiness around Katniss, and their brief talk on the roof before leaving for
the Games was so brief in fact, I had
no clue why it was put in there besides a rottenly failed attempt to give such
a terribly-based book substance that would make it “acceptable” to the rest of
levelheaded society. Anyway, Peeta’s sudden change in the arena—from nice guy
to killer—was unexpected and random seeing as how he automatically switches
back like it never happened. What the heck? Where did that kill come from? Peeta, you make no sense, and you’re such a
flat and annoying, predictable character I’m really annoyed. Really.
Speaking of romance, the attempted
insertion of a romantic subplot failed. Miserably. Katniss never had any
natural chemistry with Peeta, and don’t argue that that would be the intended
purpose because of the Hunger Games “forcing” them together. She could just
have easily killed him because he could just as easily have killed her. And she
thought about it at the end as he raised his knife, so don’t tell me she was
“conflicted” about Gale. That aspect was merely touched upon, if that. The excessive kissing and surface romance
bubbling up through the dregs of scattered events and children’s’ deaths was
enough to make me want to vomit.
Oh, yeah. That. The violence. Not
pleased at all. In terms of blood and gore, the violence was minimal, but in
terms of content? Kids killing kids, being forced into an arena by the Capitol
to fight to the death for entertainment? Yeah, in no way is that acceptable.
There are areas in the writing world that should never be touched upon because
they’re just wrong, and this is one of those areas. Imagine being twelve and
given a knife, shoved into a ring and told to kill your older sibling. That
happens every day in countries where it’s hidden. Kids kill each other for
real, so why would you even want to write
about such a topic in such a way when it can be touched upon just as forcefully
with other, less dark ways. And
believe me, a dark spirit lingers about this book.
That reminds me. The Capitol. The
way Collins passed them off, they seem less and less imposing every time we’re
introduced to them; lazy and careless. They hardly seem intimidating besides
the fact that they hold the Hunger Games every year as a punishment, but in
terms of plot this is a weak bone in the seam of the Capitol’s spine. Or do
they even have one? I can’t tell, the way they were written.
With scattered, shallow writing and
flat characters all around—unimposing, stereotypical villains and boring
protags—I marvel that this book has been taken as such a “literary”
“achievement.” (I separate these words because neither of them can be attached
as a label to this book.) Suzanne Collins, while seemingly popular with this
series, struck the flattest of notes and never recovered, for all 378 pages of
inconsistency. Collins, quit your day job. Seriously. One flipped page out of
Ten.
